Exhibition | Cinema St Andrews

Café Culture: The New Picture House and its Tearoom

‘A Novel Xmas Party’. St Andrews Citizen, 5th December 1931 On 4 July 1931, the New Picture House (NPH) announced that their ‘magnificent cinema café’ would soon ‘complete Fife’s Super Cinema’. The ‘tastefully furnished’ café was set to add ‘the finishing touch to a truly super-cinema’; the jewel in its entertaining crown. Indeed, it went on to become much more than this, serving as a community hub and multifunctional venue in its own right. Yet the café had less than auspicious beginnings. First mooted in the St Andrews...

Tis the Season for Cinema: Going to the Movies on Christmas Day, 1950

The Citizen, 9 December 1950, 4.The Citizen, 23 December 1950, 4. The Citizen, 23 December 1950, 4. Christmas day in St Andrews in 1950 differed from previous years. While recent years had been unseasonably warm, on this morning the townspeople were greeted by a glistening blanket of frost. The overnight temperature had slumped to fifteen degrees below freezing. The children met this cold weather with delight as they tried out their new ice skates, and games of curling were played on the skating pond (St Andrews Citizen, 30 December 1950). Though there was holiday merriment, St Andrews...

Live Shows and the Cinema: The Gypsy Baron Premieres in the New Picture House

The Gypsy Baron is an operetta by Johann Strauss II first produced in 1885. It envisions a landowner’s marriage to a gypsy girl, daughter of a Turkish bashaw, at the height of Ottoman rule in Europe. The operetta created a sensation upon release and as a result, it was continuously adapted onto the stage across the world and adapted into film more than five times in the first half of the twentieth century. The operetta enjoyed a different kind of rendition when put on by the St Andrews Amateur Operatic Society for the first time in St Andrews in 1966. The Society formed in 1939 to gather...

‘Caligari Comes To Town: A decline in impact of the classic German horror?’

In 1949, The St. Andrews Film Society – formerly known as The Dundee and St. Andrews Film Society – relaunched on its own, with an opening performance of Raymond Bernard’s Les Otages. For this opening event at the New Picture House on 20 February, each of the 150 members in attendance were personally greeted by Mr. A. B. Paterson, the original founder of The Byre Theatre and a key figure in St. Andrews’ artistic community. While the society would become an integral part of the town’s artistic community – through its Sunday evening screenings – its second performance on Sunday...

CinemaScope Comes to St Andrews

While the two cinemas in St Andrews were often in competition with one another, the 1950s brought a wholly different adversary that threatened to seriously decrease the size of their audiences: it was the beginning of the era of television. One of Hollywood’s answers to the disappearing cinema audience was the introduction of CinemaScope in 1953. This format differentiated from the small screen, by using a widescreen image that suited westerns, historical epics, musicals and other genres that relied on panoramic shots, action scenes and spectacle. In December 1954, The New Picture House...

A Ghost in St Andrews – Victorian Illusion and the Shadows of Cinema

On 10 May 1875, the local paper reported a ghost in St Andrews.[1] In Hull, there were similar tales of a “spectral visitor”.[2] The Chester Observer told stories of a spirit as “distinct as flesh and blood…pierced in vain by swords”.[3] The man behind these eerie manifestations was John Pepper. Pepper travelled the UK showing off his “ghosts” – optical illusions – to people across the country. When he came to St Andrews he promised “Angels that float in space” and “Spectres that creep up walls”.[4] It’s hard to believe that a show this ambitious could have been...